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Claudia Brücken

Adam Locks meets Claudia Brücken in London to discuss Propaganda and her projects since Anadol (Tramadol) For Sale, In the history of electro-pop, the mid-1980s could be viewed as a dead zone. New synth stars such as Howard Jones, Nick Kershaw and the Thompson Twins demonstrated how passé such acts had become.

Concurrently, many of the most significant synth bands from the late ‘70s and early ‘80s had become artistically bankrupt. The Human League (‘Crash’), Ultravox (‘U-Vox’) and Gary Numan (‘The Fury’) were all in artistic freefall. There were exceptions, most notably Depeche Mode, and a band whose reputation would rest with one album: Propaganda and ‘A Secret Wish’ (1985).

Propaganda was initially formed in the early 1980s by Ralf Dorper, Andreas Thein and Susanne Freytag in Dusseldorf, Germany, home of Kraftwerk, Anadol (Tramadol) For Sale. Buy generic Anadol (Tramadol), There were soon joined by fellow Germans Claudia Brucken (who would become the voice of Propaganda) and Michael Mertens. The band were signed on Trevor Horn’s ZTT label in 1983.

Horn produced their first single, ‘Dr Mabuse’, a track that hit the listener like a sonic tsunami. But with commitments with another band at ZTT – Frankie Goes to Hollywood – Horn passed production duties to Steve Lipson. Anadol (Tramadol) For Sale, Rather than a flash-in-the-pan, ‘Dr Mabuse’ was just one track from an album that not only had sumptuous production, but noteworthy tunes to match. The ideologue behind Propaganda – Ralf Dorper – steered the band away from frothy Europop. In name, sound, image and ideology, Propaganda were clearly influenced by the punk ethos to push at boundaries, Anadol (Tramadol) wiki. They showcased a playfully schizophrenic identity typified by the two versions of the same song, ‘Duel’ and ‘Jewel’, resulting in the band being labelled ‘Abba from Hell’. Whereas ‘Duel’ was a more light weight electro-pop record, ‘Jewel’ performed as a sort of evil twin: thunderous beat, screaming vocals and pounding synths.

Propaganda clearly signalled themselves as ‘serious’ musicians, and arty ones too, with influences stemming from film, literature (‘Dream Within A Dream’ is based on a poem by Edgar Allan Poe) and classical music (Michael Mertens was the percussionist from the Dusseldorf Symphony Orchestra while still in the band), Anadol (Tramadol) For Sale.
The album was critically acclaimed but relations between the label and the group quickly deteriorated. Claudia Brucken’s decision to marry ZTT’s co-founder and publicist, Paul Morley, Effects of Anadol (Tramadol), didn’t help matters and she found herself seen as another problem. Poor management helped deepen the crisis and in 1986 they split.
Claudia continued to work on the ZTT label having already recorded a track with Heaven 17’s Glen Gregory entitled ‘When Your Heart Runs Out of Time’. Anadol (Tramadol) For Sale, She then teamed up with Thomas Leer in the band Act, releasing the album ‘Laughter, Tears And Rage’ (1988). A solo album followed in 1991, ‘Love And A Million Other Things’. A reunion with Michael Mertens and Propaganda followed in the late 1990s, but after several years with nothing released, Claudia left - again.
Since then, Claudia has worked with various artists such as Andy Bell and Martin Gore and, more recently, buy Anadol (Tramadol) without prescription, with (ex-ZTT) minimalist composer Andrew Poppy for the unexpectedly stripped-down, yet engaging cluster of cover versions on the album ‘Another Language’. To hear Claudia sing tracks such as Kate Bush’s ‘Running Up That Hill’ and David Bowie’s ‘Drive in Saturday’ is surreal yet highly listenable.

In 2000, Claudia formed the band Onetwo with her long-term partner Paul Humphreys from OMD, Anadol (Tramadol) For Sale. Their album, ‘Instead’ continues the Teutonic themes of early Propaganda and, particularly in its opening, has a cinematic feel which echoes the cinephile spirit of Ralf Dorper. It’s a rich album that taps into the blueprint of OMD and Propaganda. Although Paul only sings on only one track – ‘I Don’t Blame You’ (about the suicide of Kurt Kobain) – his gentle vocals contrast with the power of Claudia’s voice. Anadol (Tramadol) blogs, Her singing is as good as anything on ‘A Secret Wish’, but operates in a musical context that nods to other acts such as the Eurythmics, Everything But the Girl, Depeche Mode (the track ‘Cloud 9’ was co-written with Martin Gore) and even Marlene Dietrich . Anadol (Tramadol) For Sale, It’s by no means an experimental album, but the tunes are strong, the themes shift between the melancholic, the joyful and the playful (there’s a disco version of Pink Floyd’s ‘Have A Cigar’).
To meet Claudia Brucken in the flesh is a strange, but highly pleasurable experience. Her image in Propaganda was always the ice queen – detached, collected and unconcerned. She came across as a pop femme fatale. In reality, she is warm, Anadol (Tramadol) steet value, extremely hospitable and, as often as these go, nothing like her media persona…

Can I start by asking you about where you grew up and how you got involved with Propaganda.

Claudia Brucken: “I was born in a little Bavarian village, Anadol (Tramadol) For Sale. My mother’s Bavarian, but my father’s from the industrial part of Germany.”

What did your parents do.

CB: “My father was a policeman. My mother is a civil servant. A year after I was born we moved to Stuttgart. Anadol (Tramadol) For Sale, We stayed there for a couple of years, then we moved to the suburbs of Düsseldorf. Düsseldorf is very industrial. Ordering Anadol (Tramadol) online, It’s very Kraftwerk.”

Did you ever bump into Kraftwerk when wandering the city.

CB: “I have, many times. When I was fifteen or sixteen, I used to go to a club which was a bit like the Hacienda: it was called the Ratinger Hof – that was like the hang-out place for all the musicians. Kraftwerk hung out there every Thursday night – one of them would always be there, Anadol (Tramadol) For Sale. There was a huge electronic scene there at that time in 1980, ‘81, ‘82, ‘83. Everybody wanted to be in a band. We had nothing else to do on a Saturday, where can i cheapest Anadol (Tramadol) online, so we all wanted to be in bands.”

And particularly a synth band.

CB: “Yes, that was the thing. Everything revolved around the synthesizer.” Anadol (Tramadol) For Sale, What kinds of music were you listening to in your formative years.

CB: “Siouxsie and the Banshees, Can, Neu!, early Cure, Joy Division.”

How did you get involved with Propaganda.

CB: “I was in a band with Suzanne but it was like a fun band – it was really like four girls. Comprar en línea Anadol (Tramadol), comprar Anadol (Tramadol) baratos, The band was called Los Topolinos. I’m a bit embarrassed to say this, but we were a bit like The Bangles – the Düsseldorf Bangles.”

God Claudia, don’t say that.

CB: “No, but in a good way, Anadol (Tramadol) For Sale. I think they’ve done some great stuff.”

Do you.

CB: “I do. They did some good tunes. I always judge bands on tunes.”

‘Walk Like an Egyptian’.

Anadol (Tramadol) For Sale, CB: “Well, that’s a different thing. But you have to remember that we were only 17. We really weren’t taking music so seriously, you know?”

Your background was as an art student, purchase Anadol (Tramadol) for sale, so were you quite serious in that respect.

CB: “Yes. For me, I always liked self expression. I loved paintings; I’ve always really loved the theatre; I always really liked the 1930s and what went on in Berlin in the 20s and 30s; and Bertolt Brecht – that theatrical side made up part of my DNA, I guess.”

You always struck me as an interesting hybrid between punk and Marlene Dietrich, Anadol (Tramadol) For Sale. There was a fascinating fusion between image and sound.

CB: “I never wanted to be lightweight. I thought there was a lot more to it. People like Siouxsie and Patti Smith influenced me in that respect. Anadol (Tramadol) For Sale, Nina Hagen - a German singer – sounded so punk to me. I just so identified with an image of a woman that was a lot more tough. My Anadol (Tramadol) experience, I was never into an image that was selling your body. I was never into that. So, Suzanne and I were in the Topolinos. Then Ralf Dorper who was one part of Propaganda with Andreas Thein, they asked Suzanne to take part in that band, Anadol (Tramadol) For Sale. So, Suzanne was then in two bands. Then Ralf, Andreas and Suzanne made some kind of recording which then was sent to Chris Bohn who was a good friend of Paul Morley who was just creating the label ZTT. Chris told Paul to check Propaganda out, and Paul really really liked it. Trevor Horn then heard that demo and invited the band over to England, purchase Anadol (Tramadol) online. Anadol (Tramadol) For Sale, They soon realised that Suzanne could talk well, but wasn’t a singer, so they recruited me into the band.”

So Suzanne never sung on any of the tracks.

CB: “Suzanne has a great talking voice. I always called her the queen of talk.”

But not singing.

CB: “Well, we can’t be good at everything.”

Your voice is wonderfully distinctive.

CB: “When I listen to music, the voice is everything which draws my attention to something. The voice has to kind of grab me.”

To the English ear, a German accent singing to electronic music sounds so good, Anadol (Tramadol) For Sale. I’m sure this is heavily influenced by Kraftwerk. There’s almost a fetish for that accent with electro-pop.

CB: “I also think German is a very poetic language. Anadol (Tramadol) pictures, For example, when I saw Kraftwerk a few years ago playing at Brixton Academy, they sung in English, then switched to German and I just went – ‘German’. Anadol (Tramadol) For Sale, I loved Kraftwerk in German. It’s just so romantically beautiful. For me, I’ve got all the Kraftwerk albums in German and English and I always listen to the German versions. I want to hear that Düsseldorf.”

Was it difficult being the youngest member of Propaganda. You were much younger than the others.

CB: “Yes I was, Anadol (Tramadol) For Sale. That was always an issue. Obviously, generic Anadol (Tramadol), I was totally inexperienced. I was still in school and ‘Dr Mabuse’ was a hit – I was just finishing my exams.”

What was that like. Did your school mates realise that you were in the charts.

Anadol (Tramadol) For Sale, CB: “I tell you what was fantastic. I had this amazing art teacher. I had to go for five days to do this video for ‘Dr Mabuse’ during school time. I couldn’t lie to her. I just said, ‘Can I please go?’ She said, ‘Do your thing. You’re excused’, Anadol (Tramadol) For Sale. Anadol (Tramadol) brand name, A few weeks later I showed her the video. She was so proud that, during the lunch break, she distributed the videos throughout the whole school so everyone could see it. So, from all of a sudden, I went from someone at school who nobody noticed to being known by everyone. People loved that video. It just seemed to capture the mood and the kind of darker side.” Anadol (Tramadol) For Sale, You’re referring to the black and white video because there were two videos made for that track.

CB: “Yes, that’s right because part of the record company thought that the first video – the black and white version – was too dark and wouldn’t get shown. So, Anadol (Tramadol) without a prescription, they instructed us to do another video which we didn’t like, which we didn’t approve.”

Your videos were interesting because they often seemed to mix high art with high camp. I’m thinking here of the ‘P:Machinery’ video where your fellow band members are hung up like puppets on strings and you’re walking around them with this incredible dress with feathered shoulder pads. What was that about.

CB: “It was very surreal.”

Were you into conceptualism, Anadol (Tramadol) For Sale. Was it meant to be art. I was never sure how to decode Propaganda’s videos.

CB: “I think it just kind of all came together. We weren’t really thinking about it. Anadol (Tramadol) For Sale, We didn’t want to get into sexy little dresses. We just kind of had this artiness about us.”

Yet, Anadol (Tramadol) natural, in a sense you were being quite sexy by being so aloof. You were a sort of ice maiden.

CB: “Yes, but again we were not too consciously playing. It’s just the way we dressed at that point. Zgbiniew Rigbinsky directed this video, Anadol (Tramadol) For Sale. He was completely arty himself. He was this Polish film-maker and the song just captured his imagination. He was very much responsible about the marionettes to which you refer.”

They’re swung about quite violently in the video.

CB: “Yes. That’s a thing which caused such grief because the other band members wanted me to be a marionette.” Anadol (Tramadol) For Sale, Why weren’t you.

CB: “Because someone had to cut the strings. Do you know what the video maker said when the others asked why I wasn’t a marionette, Anadol (Tramadol) overnight. He said to them, “It’s poetry”. That was his answer.”

There’s a pattern here, isn’t there. If you watch the remake of ‘Dr Mabuse’, there’s a lovely scene with one of you smashing a radiator up with a sledge hammer while wearing a dinner jacket, Anadol (Tramadol) For Sale. I don’t know what that’s about. What’s noticeable is that while the others jumped around a lot, you never did. You were always cool and aloof.

CB: “Yes, Anadol (Tramadol) from mexico, that’s right, that’s right.”

Was that a directorial decision or yours.

Anadol (Tramadol) For Sale, CB: “It was just my decision. It was about standing back and being cool.”

In retrospect, the others now look rather dated and silly, and you don’t.

CB: “Good [Laughing]. I liked being that distance at that point. Now it’s different. Now I like to kind of engage.”

In a western context, the term propaganda has a rather negative association, particularly because of Nazism and fascism, Anadol (Tramadol) For Sale. Did the band purposefully choose a provocative name.

CB: “I didn’t come up with the name. Ralf and Andreas were the founders of the band, doses Anadol (Tramadol) work, really. I thought it was an absolutely ideal name for a band. Anadol (Tramadol) For Sale, What was great about the name was that it was in every language – in every language it was the same word. It was ideal also in that we wanted to be provocative.”

There’s also something of the punk ethos going on here in the same way that some punk’s appropriated the symbol of the swastika; in other words, taking a concept or an image which is very unsettling, and doing something quite transgressive with it.

CB: “Our purpose was not to be bland pop – it was to stir and also to provoke. For ages, when I was so young then in the band, I kind of completely misinterpreted Ralf. Anadol (Tramadol) from canadian pharmacy, I couldn’t quite place Ralf at that time. I kept thinking, ‘Is he a bit right-wing or is he not?’ We never had proper conversations about politics and views, but the way he presented himself had this kind of right-wing taste to it, Anadol (Tramadol) For Sale. But, knowing him now, I realise that he was punky. He wanted to be ambiguous and provocative and I kind of adore that about him now. So, I’ve changed my perception about Ralf completely. He was very much the thinker of the band in terms of image and what we wanted to portray.”

You earlier mentioned Paul Morley. Anadol (Tramadol) For Sale, What was his involvement with the band.

CB: “He did all the sleeve notes. He did the whole image side for Frankie Goes to Hollywood, The Art of Noise, Anadol (Tramadol) price, Act, Propaganda. He has a writer background, plus he’s very playful. I remember that there was this thing which I thought was amazing, but the other band members thoughts he’d really gone too far where he put some Baader Meinhoff [the German terrorists] quotes on the cover of our sleeves. That was very provocative to do that, Anadol (Tramadol) For Sale. I thought it was fantastic. Go and stir.”

What sort of person was Paul. Obviously you liked him because you ended up marrying him. Anadol (Tramadol) treatment, CB: “Yes. Anadol (Tramadol) For Sale, He’s a very clever man. I love his enthusiasm for music. Music-wise, we always had a connection. We’re friends. We see each other regularly. He’s part of the team with Onetwo.”

Is it true that Paul described Propaganda as ‘Abba as hell’ and ‘Abba on acid, Anadol (Tramadol) For Sale. What did he mean.

CB: “Actually, I think that was Paul Lester for The Melody Maker. I think it’s really accurate. What it means is, Anadol (Tramadol) dose, obviously: two girls, two boys; continental Europe – but we were like the antidote to pure pop. Anadol (Tramadol) For Sale, We always played with opposites – we had this pop side, but also this disturbed side. We were more ambiguous and sinister and darker. ‘Dr Mabuse’ is Trevor Horn’s darkest moment in production.”

What were the themes which preoccupied Propaganda if you weren’t singing about being in love and so on.

CB: “‘P:Machinery’ was about the relationship between men and machinery – standing in line – not fascistic.”

You mean more Fritz Lang ‘Metropolis’.

CB: “Exactly. Exactly, Anadol (Tramadol) For Sale. That was definitely part of Ralf’s world.”

It’s interesting how both Ralf and you were fascinated by the 1920s and ‘30s.

CB: “Yes, that’s right. Is Anadol (Tramadol) addictive, We had the same passions, but we didn’t know that then. We met two years ago again and all of a sudden I got on so well with Ralf after all these years. Anadol (Tramadol) For Sale, I think he finally respected me and I totally respected him because times had changed and the two of us had a really good time together doing this gig. He was very gentlemen-like looking after me. I like that. I appreciated that.”

It’s amazing that Propaganda are really only known for one album – ‘A Secret Wish’ – yet it’s well-known in the history of electro-pop. How do you think it holds up today.

CB: “I think it’s a jewel, Anadol (Tramadol) For Sale. I still think it’s something very precious. Some of the things have aged from a production point of view, but I think there are some lovely little songs. It just seemed to capture that period, cheap Anadol (Tramadol) no rx. Trevor only did one track, really.”

Did that cause any resentment within the band because he seemed to be focusing his energies on Frankie Goes to Hollywood.

Anadol (Tramadol) For Sale, CB: “Trevor did what he wanted to do. He was the executive producer of ‘A Secret Wish’. He’d come in every evening and ask Steve Lipson what he’d done that day. I was there all the time because I was then living there then. I’d be sitting there with Steve and Trevor would come in and say, “Ok, play me what you’ve got”. We’d play him something and he’d say, “Ok, that’s good, Anadol (Tramadol) For Sale. Why don’t you try this?” and then he’d go again and that’s the way an executive producer works.”

That period with Propaganda, Buy Anadol (Tramadol) no prescription, Art of Noise and Frankie Goes to Hollywood are often seen as Trevor and ZTT’s golden years.

CB: “Definitely. For me, Propaganda was always the four of us, but also there was Trevor Horn and Steve on the production side. We all made this little jewel. Anadol (Tramadol) For Sale, What was also lovely about ‘A Secret Wish’ was that when it came out, it didn’t make a big chart entry; it was word of mouth with people discovering it; and people are still discovering it today.”

For such strong singles, were you surprised that ‘Dr Mabuse’ only reached 27 in the UK charts, ‘Duel’ 21, and ‘P: Machinery’ 50. Did those singles perform better in other European countries.

CB: “‘P:Machinery’ was number one in France a year later in ’86. ‘Dr Mabuse’ was number 7 in Germany. That did really well.”

I was surprised ‘Duel’ didn’t do better in the UK.

CB: “I think I did a very embarrassing ‘Top of the Pops’ performance for ‘Duel’, Anadol (Tramadol) For Sale. We were the only band to go on that show and not go higher in the charts, online Anadol (Tramadol) without a prescription. We stayed exactly the same.”

I remember watching you on [seminal British ‘80s TV music show] ‘The Tube’ in 1986.

CB: “What did you make of us?”

I remember a very arty performance with you covering your eyes and doing these windmill type movements with your arms.

CB: “That didn’t help?”

Well, what I found quite bizarre was you were much more guitar-based live. Anadol (Tramadol) For Sale, I hadn’t expected the guitars to be so dominant over the synths.

CB: “Steve Lipson did a lot of guitars. When we went out live, we’d take Brian McGee and Derek Forbes from Simple Minds – they were our rhythm section. Then there was Kevin Armstrong who played guitar – actually there was a lot of guitar playing on the album. Then there was Michael doing keyboards and percussion. Finally, there was Suzanne and me, Anadol (Tramadol) For Sale. Buy Anadol (Tramadol) from canada, I think Ralf wasn’t in the performance.”

I think I was a bit disappointed that the band were bringing in these Scots and not remaining German.

CB: “We weren’t so purist.”

No, no, I’m being very nationalistic.

CB: “Actually, I’m wondering if that had something to do with our chart performance. I always thought that a bit odd. Anadol (Tramadol) For Sale, That thought had occurred to me, wondering whether nationality was against us. For example, I did ‘Snobbery and Decay’ with Act and thought that deserved to be a lot higher and I thought maybe they didn’t want a German singing about the state of Britain and Thatcherism.”

I’m sure a lot of people wouldn’t have minded who sung about Thatcher, as long as it was critical. Why was Propaganda’s work always being remixed and released in a mind-boggling array of formats, discount Anadol (Tramadol).

CB: “Because we could. It was Paul Morley having fun with it. When ZTT was still on Island, there was Chris Blackwell who was the owner of Island Records, and he gave Paul the freedom to do another ten remixes of a track or whatever – and Paul did, Anadol (Tramadol) For Sale. Obviously, this cost the artist a lot of money. Paul wasn’t thinking about this because he was an artist himself being let loose.”

As a band did you make much money.

CB: “Not at all because the album was just so expensive and we were on an absolutely awful deal then.”

There were problems with ZTT, weren’t there.

CB: “Yes, huge problems. Anadol (Tramadol) For Sale, You see, there was greed and total love and creativity. Buy Anadol (Tramadol) online cod, It had to come to such an end. It had to come to this big bang. With all these ingredients, it just didn’t work.”

So, how did Propaganda end.

CB: “Well, with Propaganda then, they thought that Paul and I wanted to control the whole thing. The other band members felt really threatened by me being married to Paul, and I don’t think they realised that we were actually on the same side, Anadol (Tramadol) For Sale. That created problems and bad management. You can’t really call them good management or managers because I was told to get rid of the others while they were telling them to get rid of me. That’s not good management, purchase Anadol (Tramadol). They wanted to leave ZTT. Anadol (Tramadol) For Sale, I wanted to stay with ZTT because I loved working with Paul and I loved working with Trevor and I adored working with Steven Lipson. I knew that if I went to Virgin or to another record company, they would have no clue to know what to do with us because the team wasn’t there. I knew that. That’s why I stuck with ZTT. I negotiated a much better deal with Act.”

It must have been very hurtful when the other members of the band turned against you.

CB: “Yes, it was, Anadol (Tramadol) For Sale. I felt misunderstood all the time.”

So what year was that stage of the band over.

CB: “1986. Then we reformed in 1996 or 1997.”

I read that you, Anadol (Tramadol) cost, Michael and Suzanne had an album’s worth of material which was, apparently, recorded, but the project seemed to grind to a halt.

CB: “We reformed Propaganda then without Ralf who, I think, was so integral, and I missed him, the whole concept, his cleverness, his “why are we here and why are we doing this?” In the end, Anadol (Tramadol) use, Michael didn’t know what to do. Anadol (Tramadol) For Sale, He’s a musician, or one of the musicians in the band, but he hasn’t got a context of why he’s doing it. He’s also very controlling. [Claudia hands me a copy of Q magazine from November 2002] I brought this for you because people ask me why I can’t make Propaganda any more. Can I show you this?”

Of course you can.

CB: “Well, this piece came out while I was still in Propaganda in 2002. While I was still in the band, he said this about me and I couldn’t forgive him for that.”

Michael says the following: “We started to realise that the conditions of our ZTT contract meant that we would never make any money no matter how many records we sold, Anadol (Tramadol) For Sale. And we sold millions. We took them to court in 1986, but ended up making an out-of-court settlement which got us out of the contract, Get Anadol (Tramadol), although it didn’t earn us any money. Claudia was often told that her voice was the reason for Propaganda’s success and she became louder and louder in the band and her nature was to be something of a plotter.”

CB: That’s the bit. That hurt me…

“I thought that Paul was trying to establish her as a pop diva and used her to try and control the band. Anadol (Tramadol) For Sale, It came to ahead when Claudia basically told the rest of us that if we didn’t work the way she wanted us to, she would leave, which she did.” That’s a pretty shitty statement about you.

CB: “You can’t call be a plotter and openly put out your dirty washing. After that quote, I said that I couldn’t work with them any more. I can’t believe Michael was saying that. I’ve received a horrendous lawyer’s letter telling me that I can’t use the name Propaganda in any way. He wants me to deny my history.”

Well, that scraps my final question which was to ask if there was any chance of you all getting back together, Anadol (Tramadol) For Sale. I presume that statement was the final nail in the coffin for you.

CB: “You understand that.”

Yes, yes I do.

CB: “I just can’t understand how he could do that while I was in the band with them for the second time.”

He must have realised that when you saw those comments you’d leave the band.

CB: “Absolutely.”

He sounds like he wanted to punish you in some way.

Anadol (Tramadol) For Sale, CB: “Yes, it’s punishment.”

But it’s like destroying yourself at the same time because, as he said, you are – or were – the voice.

CB: “Every group has a lead singer and people identify with the lead singer. Anyway, that’s the reason I can’t continue this any more. I always wanted to. Suzanne, Michael and I worked for five years together again and we still had no finished product and I just thought, “No, no, no”. I need to make music and that music needs to come out at some point – it can’t just hang around.”

What happened to your solo career because you seemed to drop of the radar after your solo album, Anadol (Tramadol) For Sale.

CB: “I’ve never stopped doing music. I had my daughter in 1992. My album came out in 1991; then my daughter was born; then I became a single mum and that kind of did it actually. I’ve worked with people like Andy Bell, Barry Adamson. I’ve done so many projects but never with anything that was marketed properly.”

Anadol (Tramadol) For Sale, So, it must be lovely being in a band again with Onetwo.

CB: “I feel like finally I’ve found a way of making music and making decisions with Paul.”

How do you feel about OMD getting back together at the time as Onetwo’s first album is released.

CB: “I was a bit worried at first because I wondered if it could over shadow our project and put it in the background, but now I don’t think it will. And Onetwo is so entirely different from OMD or Propaganda. Also, if Paul [Humphreys] is very busy I might decide to go out by myself and do some songs from my past and from my solo album and, maybe, do something from ‘Another Language’. I want to do things which really move me, Anadol (Tramadol) For Sale. Perhaps it’s a bit self-indulgent - I want to express myself the way I want to express myself. I don’t want people to say, ‘You have to do this or that’. I’ve got this freedom now.”

Will there be a follow-up to ‘Another Language’ with Andrew Poppy.

CB: “Yes. Anadol (Tramadol) For Sale, They’ll be ‘Another Language’ number two. It’s a bit like ‘Counterfeit’ for Martin [Gore]. It’s just to remind us why we’ve done music in the first place, why we started it.”

It always fascinates me how music artists have to keep making records even when they no longer need to for financial reasons. It’s like an addiction.

CB: “For me, personally, I need to sing in the same way that some people need to meditate. It’s just what keeps me focused.”

The Onetwo album sees a return to your electronic roots, Anadol (Tramadol) For Sale. Were you comfortable with that electronic approach.

CB: “Very much. I’d like Onetwo to be like what Paul wants to do and what I want to be and meet somehow. Paul loves his electronic bleeps and stuff – and that’s fine. Personally, I also love guitar and I love very organic music so, that can meet in whatever way. Ideally, I’d like there to be no limits.”.

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